This portrait is firmly rooted in the equestrian portrait tradition, whose conventions date back to classical antiquity, notably with the famous statue of Marcus Aurelius on the Capitoline Hill. By choosing to depict Kléber on a rearing horse or at a measured pace, the painter reinterprets this allegory of the “war leader” capable of taming not only his mount but also human passions and the tumult of battle.
It is fascinating to note that the first historical owner of the original painting was none other than Lucien Bonaparte, the Emperor’s brother and a great patron of the arts, which testifies to the immense prestige of this work from its creation.
Charming polychrome chest of drawers in blue and red tones, combining decorative appeal with clever design. It easily converts into a large table and features two compartmented drawers.
Set of four elegant Medici vases
19th century
The young girl poses with solemn grace in a twilight landscape, dressed in rich, draped fabrics in shades of umber and golden silk. She delicately holds small flowers in her right hand, while a bouquet of flowers is gathered from the folds of her dress. A charming detail is her antique sandals tied around her bare feet, reinforcing the allegorical character. This representation is firmly rooted in the rich tradition of allegorical portraiture, where the deity embodies the renewal, beauty, and vitality of youth. The young girl is thus a personification of this springtime of life, making her a living symbol of innocence and the promise of the future.
England
Gerard Lanscroon
Dated 1687
Completely restored according to traditional methods, this chaise longue has been reupholstered in a fabric designed by Tatiana de Nicolay for the Tevenon company, adding a touch of timeless elegance to the piece.
France, 19th Century
The princess is shown in a silk dressing gown, an informal yet exquisitely refined indoor outfit that perfectly exemplifies the elegance of 18th-century French fashion.
Far from being careless, this sartorial choice underscores the sitter’s high rank through its studied simplicity. Her bodice is delicately adorned with a diamond brooch, while a pink veil rests upon powdered hair, in accordance with the aristocratic beauty standards of the time.
A true masterpiece of 18th-century Venetian art, this bench embodies all the theatricality and refinement of the palaces of the Serenissima. Its carved and gilded wooden frame, with its sinuous curves, reflects elegance in an exotic style typical of the Rococo taste.
Eight-light church chandelier, central shaft in carved and gilded wood, cut glass beads.
Rewired to current standards.
18th century
Genoa, Italy