The vase’s body displays a rich naturalistic decoration in polychrome enamels, depicting birds of paradise (Fohang) among blooming peonies and flowering branches, traditional symbols of prosperity and beauty. The flared neck, adorned with small stylized handles in relief, is highlighted by geometric friezes in turquoise and pink tones that harmoniously frame the central scene.
China
Late 19th Century
Appearing in the 18th century during the Transition period, this piece of furniture, specifically designed for writing and particularly for ladies, could serve various functions, from a drawing-room desk to a bedroom dressing table, depending on its placement. It owes its poetic name to the fact that ladies of the time could conceal their love letters and personal items—their true “bonheur du jour”—in the drawers of its tiered top or in small secret compartments. Initially called a small tiered table or high writing desk, this piece of furniture became the symbol of an era when furniture was created for each specific function of social and private life, combining elegant decoration with the discretion necessary for secret correspondence.
Napoleon III period
Charming gold cross decorated with interlacing oak leaves in relief and set with six small pearls.
The work is distinguished by its craftsmanship, notably the use of Panneggio Bagnato, or “wet draping.” This technique, attributed to the great Phidias, consists of sculpting the garment as if it had been soaked in water. Venus’s delicate tunic then becomes a second skin: it flows over the body, embracing every curve and revealing its anatomical form with a sensuality of rare elegance. The garment no longer conceals, but magnifies, creating a play of light and shadow between the prominent folds and the softness of the suggested flesh.
The identification of Joan of Arc, known as the “Maid of Orléans,” is first supported by the Latin inscription: “Virago Aurelianensis, profligatis debellatisque Anglis, ad sexus sui miraculum ovans.” This translates literally as: “The warrior woman of Orléans, having routed and defeated the English, triumphing to the astonishment of her own sex.”
This portrait is firmly rooted in the equestrian portrait tradition, whose conventions date back to classical antiquity, notably with the famous statue of Marcus Aurelius on the Capitoline Hill. By choosing to depict Kléber on a rearing horse or at a measured pace, the painter reinterprets this allegory of the “war leader” capable of taming not only his mount but also human passions and the tumult of battle.
Double-sided folding screen composed of six lacquered and finely carved panels, inspired by the productions of the Qing dynasty and the Coromandel style.
This parrot design, originally life-size, is attributed to the renowned sculptor Johann Joachim Kändler, around 1745-1750, who captured birds perched on tree trunks with striking realism.
Meissen
Late 18th century
Japanese table with a fully foldable top and base, forming a compact and functional ensemble. This type of furniture is characteristic of early 19th-century production in the Kiso region, renowned for the quality of its woodworking. The tabletop features a refined decoration, enhanced with delicate marquetry that reflects highly skilled craftsmanship. With the elegance of its proportions and the finesse of its ornamentation, this table is both a practical and decorative piece.
Founded in 1894 by John Hubley, the company became famous for its exceptionally high-quality cast iron toys and household items.
Circa 1910